Sa production la plus connue est le court-métrage “Un chien andalou” (un perro andaluz, 1929) qui a lancé sa carrière. Les apparitions d'androgynes, de suicides et a fortiori de morts, d’œufs dont le liquide coule, rappelant d'une part le paradis perdu de la vie intra-utérine, qui se termine violemment et qui oblige à ouvrir les yeux sur le monde, sont encore une fois des références connues du monde très riche de Dali. The first young man eventually shoots the second young man when the books abruptly turn into revolvers. Subsequently, the first young man makes the young woman's armpit hair attach itself to where his mouth would be on his face through gestures. [19], The first screening of Un Chien Andalou took place at Studio des Ursulines, with an audience of le tout-Paris. However, this special effect was modified due to budget limitations, with the film ending with a still shot of the man and woman, who had been walking in the previous beach scene, half-buried in the sand and apparently dead. Un_Perro_Andaluz 1 post karma 460 comment karma send a private message. During the original 1929 screening in Paris, Buñuel selected music which he played live on a gramophone. He shows her the time on his watch and they walk near the rocks, where they find the remnants of the first young man's nun's clothing and the box. Carte d'invitation de la première projection. [21] Buñuel since claimed that prior to the show, he had put stones in his pockets "to throw at the audience in case of disaster", although others had no recollection of this. Traîner le piano évoque l'ensemble des valeurs de la bourgeoisie qui s'imposent au héros du film et le contraignent dans la séduction. Un Chien Andalou consists of 17 minutes of bizarre and surreal images that may or may not mean anything. Par la suite, Dali tentera de réutiliser certaines des visions du film, notamment pour la scène du rêve de La Maison du docteur Edwardes (Spellbound). The Noaille family quickly withdrew the film after it was banned by the Prefecture of Police of Paris. The young woman pushes him away as he drifts off and she attempts to escape by running to the other side of the room. Among the most enthusiastic viewers of the film were the wealthy couple Viscount Charles and Marie-Laure de Noailles, who commissioned Dalí and Buñuel to create a sequel, of around the same length, with sound, to be called La Bête Andalouse, in order to affirm its connection with Un Chien. A group of men come and carry his corpse away. To us, Buñuel, big and athletic, his black eyes protruding a little, seemed exactly like he always is in Un Chien Andalou, meticulously honing the razor that will slice the open eye in two."[27]. The young woman looks at the first young man with disgust, and leaves the apartment sticking her tongue out at him. She is then run over by a car and a few bystanders gather around her. For many years (and still), published and unpublished reports have circulated that Buñuel had used a dead goat's eye,[10][11] or that of a dead sheep,[12] or of a dead donkey,[13] or other animal, in the notorious eyeball-slicing scene. Un perro andaluz es un clásico del cine de vanguardia surrealista, resultado de la cooperación entre el director Luis Buñuel y Salvador Dalí. El día de la bestia (The Day of the Beast, 1995) Nueve Reinas (Nine Queens, 2000) Alas de Mariposa (Butterfly Wings, 1991) Vente a Alemania, Pepe (Come to Germany, Pepe - 1971) A middle-aged man (Luis Buñuel) sharpens his razor at his balcony door and tests the razor on his thumb. Eight years later. The film was totally in keeping with the basic principle of the school, which defined Surrealism as 'Psychic Automatism', unconscious, capable of returning to the mind its true functions, beyond any form of control by reason, morality or aesthetics. What "Un Chien Andalou" offers is a high amount of shock-value and stand-alone scenes that are simply awe-inspiring for its time. Un article de Wikipédia, l'encyclopédie libre. Des objets et des personnages inattendus apparaissent et disparaissent, laissant le spectateur libre de leur attribuer une part de réalité, d'imagination, ou de souvenir : objets de l'enfance, fourmis, revolvers, pianos chargés d'ânes morts ; un personnage androgyne qui se fait écraser par une voiture, un double du héros abattu par le héros lui-même, un boiteux passionné, des séminaristes ligotés. Chabrol is a self-confessed bourgeois who hates the complacency of his class. She finds the young man in the next room, dressed in his nun's garb in the bed. She hears the young man approaching on his bicycle and casts aside the book she was reading (revealing a reproduction of Vermeer's The Lacemaker). It was Buñuel's first film and was initially released in 1929 with a limited showing at Studio des Ursulines in Paris, but became popular and ran for eight months. Please expand the article to include this information. Ainsi, de celle où le personnage principal doit tirer les deux pianos à queue chargés de la dépouille de deux ânes morts, et plus encore la scène d'ouverture, insoutenable pour bien des spectateurs — et surprenante — dont on dit qu'elle a été retirée des copies dans certains pays : on y voit un homme aiguisant un rasoir, puis avisant pensivement la lune devant laquelle passe un nuage effilé ; l'instant d'après le film montre en gros plan la main de l'homme tenant le visage d'une jeune femme tandis que le rasoir tranche son œil par le long (cette femme sera ensuite le personnage féminin du film — pour ce plan le réalisateur a utilisé un œil de bovin). A slim young man (Pierre Batcheff) bicycles down a calm urban street wearing what appears to be a nun's habit and a striped box with a strap around his neck. March 30, 2021. ». Buñuel a donné une seule explication de ce plan, purement poétique dit-il : c'est une image visuelle inspirée par la vision de la lune et du nuage. "[29] This new film ultimately was released in 1930 under the title L'Age d'Or. Jan 18, 2021 - Explore Nathalie Baldisseri's board "Un perro andaluz", followed by 264 people on Pinterest. Par la force de ses images, ce film qui a marqué l'histoire du septième art est resté un des plus célèbres parmi les avant-gardes du cinéma. "[6], In his 1939 autobiography Buñuel said: "In the film the aesthetics of Surrealism are combined to some of Freud's discoveries. Directed by Luis Buñuel. Dali, quant à lui, écrivit ultérieurement : « un chien andalou était le film de l'adolescence et de la mort que j'allais enfoncer comme un poignard en plein cœur du Paris spirituel et élégant »[8]. A slow transition occurs focusing on the armpit hair of the young woman as she lies on the beach and a sea urchin at a sandy location. 1,291 Followers, 576 Following, 262 Posts - See Instagram photos and videos from UN PERRO ANDALUZ (@escueladecineunperroandaluz) Translations in context of "perro andaluz" in Spanish-English from Reverso Context: Era en la premiere de su film Un perro andaluz. "[5] He also stated: "Nothing, in the film, symbolizes anything. It was accepted only that which struck us, regardless of the meaning ... We did not have a single argument. During the bicycle scene, the woman who is sitting on a chair, reading, throws the book aside when she notices the man who has fallen. »[6]. Welcome to Reddit, the front page of the internet. The first young man sneers at her as she retreats and wipes his mouth off his face with his hand. Concernant la première projection devant les membres du groupe surréaliste au studio des Ursulines, Buñuel en a lui-même raconté la petite histoire, qu'on peut croire conforme à la réalité : il s'était muni de pierres, autant pour se défendre s'il se trouvait agressé, que pour les jeter sur les spectateurs s'ils venaient à manifester en huant le film[7]. [26] This was the beginning of years of insults and threats that haunted Buñuel until his old age. The next day, Charles de Noaille learned that he had been expelled [30] from the Jockey Club de Paris. Séparez les adresses par des virgules M'envoyez une copie par email. get reddit premium. There is a cut to an androgynous young woman, with bobbed hair and dressed in rather masculine attire, in the street below the apartment. . I’m stuck on a Art & Design question and need an explanation. The young woman goes to answer the door and does not return. Il ajouta : « et si nous faisions un film, en partant de ça »[5] ? "[23] Against his hopes and expectations, the film was a huge success amongst the French bourgeoisie,[24] leading Buñuel to exclaim in exasperation, "What can I do about the people who adore all that is new, even when it goes against their deepest convictions, or about the insincere, corrupt press, and the inane herd that saw beauty or poetry in something which was basically no more than a desperate impassioned call for murder?"[25]. [22], It was Buñuel's intention to shock and insult the intellectual bourgeoisie of his youth, later saying: "Historically, this film represents a violent reaction against what at that time was called 'avantgarde cine,' which was directed exclusively to the artistic sensibility and to the reason of the spectator. Despite the criticism, however, the film was never banned. [33], Premiere ranked the opening scene as 10th out of "The 25 Most Shocking Moments in Movie History". His films are deeply critical of the bourgeoisie yet his films have always benefited from the patronage of the middle-class. get them help and support. Historia. Le film se conclut sur une plage où les deux personnages principaux, l'homme et la femme, paraissent former un couple heureux, avant d'être « au printemps » à la fois ensablés vivants et la proie des insectes. En 1983, sort une troisième version, dont la musique est cette fois composée spécialement par Mauricio Kagel. Le film est une succession de scènes ayant pour seuls liens logiques quelques personnages et le décor d'un intérieur parisien qui accueille la plus grande partie de l'histoire. Par la suite, Buñuel se refusa à toute explication d'Un chien andalou, se bornant à déclarer : « il s'agit seulement d'un appel au meurtre »[7]. Buñuel told Dalí at a restaurant one day about a dream in which a cloud sliced the moon in half "like a razor blade slicing through an eye". The subsequent title card reads "Sixteen years ago". Le récit est disloqué par des changements subits de lieux (un bois, une plage) et par des intertitres indiquant des sauts temporels de plusieurs années en avant ou en arrière. Ainsi, dans Un chien andalou, rêve et réalité sont deux instances complémentaires : « Je crois à la résolution future de ces deux états, en apparence si contradictoires, que sont le rêve et la réalité, en une sorte de réalité absolue, la surréalité […] c'est à sa conquête que je vais[2]. Cuando el perro es pequeño, solo va a querer comer, dormir y jugar, pero debemos tener paciencia y empezar a educarlo desde el primer día. * A L'ORIGINE DU FILM. « et si nous faisions un film, en partant de ça », Centre national du cinéma et de l'image animée, La Découverte des Amériques par Christophe Colomb, Marché d'esclaves avec apparition du buste invisible de Voltaire, Liste des personnalités du mouvement surréaliste, https://fr.wikipedia.org/w/index.php?title=Un_chien_andalou&oldid=181935062, Page pointant vers des bases relatives à l'audiovisuel, Portail:Époque contemporaine/Articles liés, licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence. Facebook: https://www.facebook.com/cinefilosESWeb: https://mundocinefilo.com/TW: https://twitter.com/_Cinefilos_ Un chien andalou est un court métrage muet sonoris é surréaliste français réalisé par Luis Buñuel, sur un scénario de Buñuel et de Salvador Dalí, sorti en 1929 [1. According to Buñuel, they adhered to a simple rule: “Do not dwell on what required purely rational, psychological or cultural explanations. The young woman resists him at first, but then allows him to touch her as he imagines her nude from the front and the rear. [28] Dalí stated that the theme of the new film was to parallel that of the first: "to present the straight and pure 'conduct' of someone who continues to pursue love despite wretched humanitarian ideals, patriotism and the other poor mechanisms of reality. Nombre d'autres peintures comportent des pianos ; l'un des plus célèbres étant. [34], The lyrics of the Pixies song "Debaser" are based on Un Chien Andalou.[35]. Sujet: Un chien andalou (Un perro andaluz) - Luis Buñuel Dim 18 Aoû - 5:08: UN CHIEN ANDALOU (UN PERRO ANDALUZ) [1929] Réalisation, montage, production:Luis Buñuel Scénario: Luis Buñuel et Salvador Dal í Format: Noir et blanc - Muet Durée: 16 minutes Première projection: 6 juin 1929 au Studio des Ursulines. dust. 3 online classroom games to energize your class; March 30, 2021. The idea for the film began when Buñuel was working as an assistant director for Jean Epstein in France. Il fallait que ce soient des images qui nous surprennent et qui soient acceptées par tous les deux sans discussion. Estudio de los elementos intertextuales y figurativos del filme realizado por Salvador Dalí y Luis Buñuel: Un perro andaluz. With Pierre Batcheff, Simone Mareuil, Luis Buñuel, Pancho Cossío. Luis Buñuel and Salvador Dalí present 16 minutes of bizarre, surreal imagery. But when the proposal of one liked the other, it seemed to us magnificent, indisputable and immediately introduced into the script.”[3], In deliberate contrast to the approach taken by Jean Epstein and his peers, which was to never leave anything in their work to chance, with every aesthetic decision having a rational explanation and fitting clearly into the whole,[4] Buñuel made clear throughout his writings that, between Dalí and himself, the only rule for the writing of the script was: "No idea or image that might lend itself to a rational explanation of any kind would be accepted. La dernière modification de cette page a été faite le 15 avril 2021 à 17:53. Open the way to the irrational. Continue to part 2. The young man corners her as she reaches for a racquet in self-defense, but he suddenly picks up two ropes and drags two grand pianos containing dead and rotting donkeys, stone tablets containing the Ten Commandments, two pumpkins, and two rather bewildered priests (played by Jaime Miravilles and Salvador Dalí) who are attached by the ropes. Federico García Lorca, ami des deux auteurs du film, crut se reconnaître dans le titre ce dont il se trouva mal ; selon lui Le chien andalou avait été le surnom moqueur que lui auraient donné Buñuel et Dalí[5]. Dalí had the large eyes, grace, and timidity of a gazelle. Après quoi bien des interprétations psychologiques ont circulé, toutes inventées, toutes beaucoup trop logiques. Un Perro Andaluz ( 1929) by BERTUS. Dalí, on the contrary, was reportedly disappointed, feeling the audience's reaction made the evening "less exciting". Fotografía por Albert Duverger Una de las primeras cosas que nos muestran en la carrera (hablo de Bellas Artes) es Un perro andaluz, la famosa película dirigida por Luis Buñuel y que escribió junto con Salvador Dalí. Le fil conducteur serait les tentatives de l'homme poussé par le désir vers la femme, qui, le plus souvent, se défend. Parmi les intentions des auteurs, il faut tenir compte d'un désir de provocation. She calmly stares straight ahead as he brings the razor near her eye. Un Chien Andalou (French pronunciation: [œ̃ ʃjɛ̃ ɑ̃dalu], An Andalusian Dog) is a 1929 Franco-Spanish silent surrealist short film by Spanish director Luis Buñuel and artist Salvador Dalí. Un Chien Andalou (French pronunciation: ​[œ̃ ʃjɛ̃ ɑ̃dalu], An Andalusian Dog) is a 1929 Franco-Spanish silent surrealist short film by Spanish director Luis Buñuel and artist Salvador Dalí. We see the second young man's face for the first time (and discover that he is also played by Pierre Batcheff) as he admires the art supplies and books on the table near the wall and forces the first young man to hold two of the books as he stares at the wall. The second young man, now in a meadow, dies while swiping at the back of a nude female figure which suddenly disappears into thin air. Les scènes marquantes, ayant été décrites dans les articles et dans les histoires du cinéma, furent connues par nombre de personnes qui n'avaient jamais vu le film, et ne purent le voir pendant de longues périodes où il n'était plus projeté. The film was shown in its entirety before every concert of the Isolar Tour by David Bowie in lieu of an opening musical act. Pierre BatcheffSimone MareuilLuis BuñuelSalvador DalíJaume Miravitlles, Pour plus de détails, voir Fiche technique et Distribution. redditor for 11 months. 3 ways to use video flashcards to engage students and support learning [2] The title of the film is a hidden reminiscence from the Spanish saying: "the Andalusian dog howls-someone has died!” The screenplay was written in a few days. [31], Film scholar Ken Dancyger has argued that Un Chien Andalou might be the genesis of the filmmaking style present in the modern music video. Escrita por Luis Buñuel y Salvador Dalí. Achetez en Ligne l’Oeuvre Un perro andaluz de Roberto Gutiérrez Currás (2020) : Peinture Huile sur Toile - 39.4x31.9in Livraison Offerte Paiement Sécurisé Retour gratuit Meilleur Prix After its "triumphant premiere", Un Chien Andalou was bought by the owner of "Studio-28". The screenplay of the film “Andalusian Dog” is based on two dreams of its creators Luis Buñuel and Salvador Dali. Un Perro Andaluz is a silent, surrealist short film co-written by Luis Buñuel and Salvador Dali and directed by Buñuel. El perro bodeguero andaluz es un perro muy dócil, inteligente y muy obediente. UN PERRO ANDALUZ, en honor a la película del mismo nombre de Luis Buñuel, es una ESCUELA DE CINE cuyo objetivo principal es el de INICIAR en el mundo… Un Chien Andalou Frame Enlargements: Part 1 of 4. A cut occurs to the young woman from the first scene, who has been reading in a sparsely furnished upstairs apartment. The young man seems to take sadistic pleasure in the androgynous young woman's danger and subsequent death, and as he gestures at the shocked young woman in the room with him, he leers at her and grasps her breasts. The sequel was not a success with Parisian high society. login. . [32] Roger Ebert had called it the inspiration for low budget independent films. As he is unable to pursue, the young woman escapes the room. Another cut occurs to the moon being overcome by the cloud, then a cut to a close up of a hand slitting the eye of an animal with the razor (which happens so quickly the viewer may believe it was the woman's eye), and the vitreous humour spills out from it. The young woman very nervously applies some lipstick in response. See more ideas about short film, short film youtube, larry cohen. Un chien andalou est un court métrage muet sonorisé surréaliste français réalisé par Luis Buñuel, sur un scénario de Buñuel et de Salvador Dalí, sorti en 1929[1]. She emerges from the building and attempts to revive the young man. No será un problema educarlo, sin embargo, siempre es importante iniciar desde que son cachorros. Get an ad-free experience with special benefits, and directly support Reddit. Blog. [15], In Buñuel's original script, the final shot was to feature the corpses of the man and woman "consumed by swarms of flies". [8] It is a black and white, 35 mm, silent film, with a running time of 17 minutes, although some sources state 24 minutes, and a physical length of 430 meters.[9]. Philip Kaufman, qui avait lui-même débuté comme cinéaste underground, a placé dans Henry et June une scène qui se déroule à Paris dans un cinéma lors d'une projection houleuse de Un chien andalou (probablement le studio 28, où le film sera exploité pendant huit mois à partir d'octobre 1929). Je souhaite recevoir la newsletter du Festival de Cannes * *Champs obligatoires. The only method of investigation of the symbols would be, perhaps, psychoanalysis. The subsequent title card reads "around three in the morning". The film opens with a title card reading "Once upon a time". The Eraserheads named a song from their fifth album, Sticker Happy, after the film. Production : Luis Buñuel ; producteur exécutif, Les fourmis, par exemple, récurrentes dans l’œuvre de Dali, symbolisent la, Les pianos encombrés d'ânes morts rappellent une toile de Dali portant exactement le même sujet. The young man and the young woman stare at his hand, which has a hole in the palm from which ants emerge. 26/11/18 Un perro andaluz. A likely apocryphal account claimed that two miscarriages occurred while watching the film. And the objection was immediately accepted as completely justified. Si Un chien andalou est à l'origine un film muet, lors de la première projection en public il fut accompagné d'une sonorisation exécutée par Buñuel lui-même avec des disques : Tristan et Isolde de Wagner, ainsi qu'un tango argentin. Later, the young woman assembles pieces of the young man's clothing on a bed in the upstairs room, and concentrates upon the clothing. C'est pourquoi on retrouve dans ce court-métrage les symboles propres à la mythographie du maître du surréalisme. Un Chien Andalou is a classic European avant-garde surrealist film from the cooperation of director Luis Buñuel and Salvador Dali. She goes to the window and sees the young man lying on the curb, his bicycle on the ground. The second young man forces the first one to throw away his nun's clothing and then makes him stand with his face to the wall, as if in disgrace. The crowd clears when the policeman places the hand in the box previously carried by the young man and gives it to the young woman. Once upon a time . There is a cut to a close-up of a young woman (Simone Mareuil) being held by the man. L'étrangeté de l'ensemble est délibérément onirique, selon le principe surréaliste défini par André Breton dans son Manifeste du surréalisme. Through their accomplishment with Un Chien Andalou, Dalí and Buñuel became the first filmmakers to be officially welcomed into the ranks of the Surrealists by the movement's leader André Breton, an event recalled by film historian Georges Sadoul: "Breton had convoked the creators to our usual venue [the Café Radio] ... one summer's evening. Un Chien Andalou has no plot in the conventional sense of the word. The subsequent title card reads "eight years later". Explore releases from the Perro Andaluz label. Son scénario est écrit en six jours par Buñuel et Dalí qui travaillent sur le mode du cadavre exquis, comme l'a raconté plus tard Luis Buñuel : « Nous travaillions en accueillant les premières images qui nous venaient à l'esprit et nous rejetions systématiquement tout ce qui pouvait venir de la culture ou l'éducation. De son côté il me raconta qu'il venait de voir en rêve, la nuit précédente, une main pleine de fourmis. A week of impeccable understanding. C'mon, it made me flinch and engaged. The young man chases after her, but she traps his hand, which is infested with ants, in the door. Le film est une succession de scènes ayant pour seuls liens logiques quelques personnages et le décor d'un intérieur parisien qui accueille la plus grande partie de l'histoire. They were first added to a print of the film in 1960 under Buñuel's supervision. The image it shows when it lies open is a reproduction of a painting by Vermeer, whom Dalí greatly admired and often referred to in his own paintings. The androgynous young woman contemplates something happily while standing in the middle of the now busy street clutching the box. “@Manuel_de_BCN Juan Cuesta no es de correr mucho y menos de hacer deporte.” As she exits her apartment, the street is replaced by a coastal beach, where the young woman meets a third man with whom she walks arm in arm. L'ajout de séminaristes à ce piano donne davantage de poids à l'héritage culturel du personnage. Esto gracias a que posee un gran y preciso sistema auditivo, lo que en ocasiones le ha hecho ganar la fama de ser un perro de carácter nervioso. Discover what's missing in your discography and shop for Perro Andaluz releases. remember me reset password. The young man appears near the door. Un perro andaluz (título original en francés: Un chien andalou) es un cortometraje franco-español mudo (no fue hasta la versión de 1960 que se incorporaron los motivos de Tristán e Isolda de Richard Wagner y un tango),2 escrito, producido, La TROPHY CASE. La película cambió la forma en que se rodaban las películas ... La escena más famosa es la de un hombre al que están cortando el ojo con una navaja. En 1961, il en réalise une sonorisation définitive, qu'il dit conforme à celle de la première projection. [20] The audience's positive reception of the film amazed Buñuel, who was relieved that no violence ensued. However, in an interview in 1975 or '76, Buñuel claimed that he had used a dead calf's eye. [18], Anthropologist Jean Rouch has reported that after filming was complete, Buñuel and Dalí had run out of money, forcing Buñuel to edit the film personally in his kitchen without the aid of a Moviola or any other technical equipment. On y retrouve des éléments récurrents dans l'œuvre du peintre : âne mort, piano, érotisme, fourmis, La Dentellière de Vermeer, etc. Dans l'ensemble, il s'agit des relations violentes et difficiles entre un homme et une femme dans un appartement. Celle de Jean Vigo reste à méditer : Buñuel aurait envoyé là une botte de provocation à l'hypocrisie des hommes qui leur fait accepter toutes les monstruosités de la réalité, mais les fait vibrer d'horreur à la vue d'une image reconstituée[9]. The young man and the young woman watch these events unfold from the apartment window. The young man is roused from his rest by the sound of a door-buzzer ringing (represented visually by a Martini shaker being shaken by a set of arms through two holes in a wall). Il s’est associé pour l’écriture du scénario au surréaliste Salvador Dalí. Ya sabemos que estos dos… Dirigida por Luis Buñuel en 1929. Another young man, whom we see only from behind, dressed in lighter clothing, arrives in the apartment, gesturing angrily at him. UN PERRO ANDALUZ; Haut de la page Copie restaurée En salles le Salvador DALI UN PERRO ANDALUZ. Become a Redditor. Película de Luis Buñuel y Salvador Dalí Historia/Arte https://historia-arte.com/2016/08/10/perro-andaluz-dali-bunuel/ With disjointed chronology, jumping from the initial "once upon a time" to "eight years later" without events or characters changing, it uses dream logic in narrative flow that can be described in terms of the then-popular Freudian free association, presenting a series of tenuously related scenes. “No,” the other objected. She pokes at a severed human hand with her cane while surrounded by a large crowd held back by policemen. The young woman returns to the apartment and sees a death's-head moth. "[7], The film was financed by Buñuel's mother, and shot in Le Havre and Paris at the Billancourt Studios over a period of 10 days in March 1928. Dalí responded that he had dreamed about a hand crawling with ants. Modern prints of the film feature a soundtrack consisting of excerpts from Richard Wagner's "Liebestod" from his opera Tristan und Isolde and a recording of two Argentinian tangos, "Tango Argentino" and "Recuerdos" by the Vicente Alvarez & Carlos Otero et son orchestre.

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