Her world-renowned dance company exposed audiences to the diversity of dance from the 1930s-1960s and her New York school brought dance training to a variety of populations. Katherine Dunham's long and remarkable life spanned the fields of anthropology, dance, theater, and inner city social work.As an anthropologist, Dunham studied and lived among the peoples of Haiti and other Caribbean islands; as a dancer and choreographer she combined "primitive" Caribbean dances … In Chicago, Dunham begins to study ballet with Ludmilla Speranzeva, who had come to America with a Franco-Russian vaudeville troupe known as the Chauve-Souris. Dunham receives the National Dance Week Award from the Dance Concert Society. It is the story of a world that has vanished. To raise funds, Dunham quickly negotiates contracts for television shows and a club date. This is because, at the time of her return, the dance world was influenced majorly by the “white race” and the styles only consisted of Jazz, Ballet and Modern (The Katherine Dunham Center for the Arts and Humanities). Neither she nor members of her company appear in the film. Rhumba Trio is premiered at Mexico's Instituto Nacional de Bellas Artes. ", Katherine Dunham in the 1940 Broadway hit production of "Cabin in the Sky", Katherine Dunham and her husband, John Pratt in an undated photograph, Katherine Dunham in the 1943 Twentieth Century Fox Picture "Stormy Weather. Held Hunger Strike In 1991 and 1992, the U.S. … The Katherine Dunham Museum houses Miss Dunham’s outstanding collection of symbolic and functional art, including more than 250 African and Caribbean art objects from more than 50 countries. Dunham is named director of the Negro Unit of the Chicago branch of the Federal Theater Project and stages dances in several Chicago productions, including Run Li'l Chil'lun and The Emperor Jones. Here is her story. Kaiso is an Afro-Caribbean term denoting praise.The Katherine Dunham Fund buys and adapts for use as a museum an English Regency-style townhouse on Pennsylvania Avenue at Tenth Street in East Saint Louis. An observer describes Dunham as "resplendent in pink from the top of her head to her toes.". She also learned that traditional Caribbean dancers kept their feet flat on the ground, rather than dancing on the balls of their feet. La Camparsa, set to music by Ernesto Lecuona, centers on a lone woman, wandering the streets in the early-morning hours after Carnival, who encounters three men, one of whom she believes may be her husband. The Library of Congress begins a complete documentation of Dunham Technique. This paper. After forty-seven days, she ends her fast after concerns for her health are voiced by exiled Haitian president Jean-Bertrand Aristide and others. Dunham’s ethnographic work and her work as a dancer, choreographer, and dance educator are profoundly intertwined. Dunham explained that Isadora Duncan let dance out of the cage of the old ballet and that Sergei Diaghilev (in exile with the Russians in Paris) gave structure to the new energy Isadora unleashed. (The other two films of l’ag’ya fights made by Dunham as part of her fieldwork are available at this link.) Dunham arrives in Whitehall, Jamaica, whence she travels to the mountain village of Accompong. She teaches a master class, with assistance from Theodore Jamison, and attends a gala performance and a bembé, a traditional party of the Santería religion. Selections from the Katherine Dunham Collection, A studio photograph of Katherine Dunham in the 1920s, Katherine Dunham's first ballet teacher, Ludmila Speranzeva. Dunham directs Albert Husson's musical comedy Deux Anges Sont Venus, starring Charles Aznavour, at the Théâtre de Paris. She talks about this in one of the excerpts from the 2002 interview. Dunham receives the Ebony Magazine American Achievement Award in Fine Arts and the Candice "Trailblazer" Award from the National Coalition of One Hundred Black Women. The Katherine Dunham Experimental Group presents Caribbean Backgrounds at Howard University in Washington, D.C. Dunham choreographs the musical play Windy City, which premieres at the Great Northern Theater in Chicago. Two numbers from the Dunham repertory, Batucada and a segment of Jazz in Five Movements, are included. Dunham's fourth book is published: Island Possessed (New York: Doubleday, 1969; reprint, University of Chicago Press, 1994). The opening-night program includes Afrique, Choros , Adeus Terras, Batucada , Veracruzana, Flaming Youth, Barrelhouse , Jazz in Five Movements, and L'Ag'Ya . Katherine Dunham and Alvin Ailey One of the most prominent dancers Katherine Dunham influenced was Alvin Ailey and his company. Katherine Dunham Revolutionized American Dance. But for this blog I want to focus on her work as an ethnographer, as this contributed to modern ethnography of movement and gave rise to her unique work in the field of dance. Two passions, dance performance and the ethnography of dance would define her career. Dunham remounts scenes from the Spanish Earth, originally choreographed as a benefit for Spanish Civil War victims, at New York's Windsor Theater. Dunham will assemble pick-up companies for later special events, but 1960 effectively marks the end of the continuous history of a company of dancers trained by her in Dunham Technique and coached by her to perform Dunham choreography. In October 1944, the African-American choreographer Katherine Dunham (1909–2006) stood in front of an audience in Louisville, Kentucky and announced that her dance company would not return to Louisville until the city desegregated its theaters. Here is her story. Dunham premieres Jazz in Five Movements at the Théâtre National de l'Opéra in Paris. Organized by Glory Van Scott, the gala features performances by former Dunham Company members in their original roles as well as instructors and students from her Performing Arts Training Center in East Saint Louis. This limited the study of movement. Sol Hurok presents Katherine Dunham and Her Company in a dance revue in three parts, a prologue, and ten scenes at the Broadway Theater in New York. 1 and 4) would later be joined and performed as an independent work. It has been translated into several languages and is considered a foundational text in dance ethnography. Dunham and her company tour North Africa (1952-1953). Dunham Technique is taught by Tommy Gomez, Archie Savage, Lavinia Williams, and Syvilla Fort, who also teaches ballet. Music Division, Library of Congress. The superintendent of School District 189 in East Saint Louis and other community leaders present plans for the Katherine Dunham Academy of Performing, Visual, and Cultural Arts. Having attended a junior college in Joliet, Illinois, Katherine Dunham follows her brother Albert … is alive with colorful and humorous incidents and inspired passages of choreography. The show closes after thirty-eight performances. A soloist represents ancient Yoruba dance tradition, while the other dancers perform modern variations. 31 Full PDFs related to this paper. On the first half of the program, Dunham presents a suite of West Indian dances. Born on June 22, 1909, Katherine Dunham did not initially consider a … DRYDEN: Katherine Dunham once said she wanted her epitaph to read, She tried. Katherine was an artist, educator, anthropologist and activist who transformed the field of … She notes that she will soon be ninety-five years old but says that she intends to live to be a hundred and forty, because she still has so much to do. In a note to the reader she says that "this book is not an autobiography. Dunham's first book is published: Journey to Accompong (New York: Henry Holt, 1946; reprint, Westport, Conn.: Negro Universities Press, 1971). The End Katherine Dunham was an American dancer, choreographer and anthropologist noted for her innovative interpretations of ii. Ms Dunham revolutionised modern dance, pioneering a style combining classical ballet … In April, Katherine Dunham headlines Baila USA, the annual African-American cultural festival in Miami, Florida, sponsored by the Ifé-Ifé Afro-Cuban Dance and Music Ensemble. .," she says, "but tonight our hearts are very sad because this is a farewell to Louisville. While a student at the University of Chicago, she formed a dance group that performed in concert at the Chicago Gratuitous links to sites are viewed as spam and And it is the story of a family that I knew very well, and especially of a girl and a young woman whom I rediscovered while writing about the members of this family.". Katherine Dunham is named one of "America's Irreplaceable Dance Treasures External" by the Dance Heritage Coalition. It includes Afrique, Rhumba Trio, Samba, Choros (nos. 12 Leopold Senghor, a personal friend of Dunham’s who had witnessed the Katherine Dunham Dance Company while he was a student in Paris, hosted this seminal convocation of black world leaders in arts and culture. Dunham provides choreography for the film Green Mansions, starring Audrey Hepburn and Anthony Perkins. The Dunham Company disbands. She is also appointed honoree on the President's Council on Youth Opportunity in Washington, D.C. Dunham directs A Dream Deferred and Ode to Taylor Jones in East Saint Louis with the Youth Dance Group from her Performing Arts Training Center. Tropical Review appears for one week at Cleveland's Hanna Theater. 1929. After eighty-seven performances on Broadway, the company takes the show on a national tour. The police are called. Dunham provides choreography for the film The Bible, directed by John Huston and produced by Dino de Laurentiis. Standard Disclaimer. Dunham receives an honorary doctorate of fine arts from Southern Illinois University at Edwardsville and is awarded the grande croix of the Légion d'Honneur et Merite by the Haitian embassy. Ballet Nègre gives its debut performance at the annual Beaux Arts Ball in Chicago. Postures and movements in many martial arts become regularized as practitioners learn how to fight without doing serious damage to their opponents. Dunham is named a Founder of Dance in America and is honored as such at the National Museum of Dance in Saratoga Springs, New York External. Dunham revives her company, Ballet Nègre, with students from her school, the Negro Dance Group. The museum collection consists of furniture, paintings, musical instruments, costumes, decorations, photographs, sketches, a broad range of ethnic art objects, and a cross-section of personal belongings documenting Dunham's life. The Dunham Company dances Dora and Cakewalk. Katherine Dunham reassembles some of her dancers for a New York performance on the occasion of American Ballet Theater's twenty-fifth anniversary gala. Chris Joycephine. Dunham and her company tour Europe and South America (1954-1955). One obvious weakness of this essay is that Dunham is covered more extensively than Ailey, but I think she is less known. In May, an exhibit honoring Dunham is mounted in the Women's Center at the University of California at Berkeley. Du Bois. . Dunham is awarded a star on the Saint Louis Walk of Fame for the field of acting and entertainment. 1955, Katherine Dunham and student at Southern Illinois University, c.1960s, Katherine Dunham in a 1960s publicity photograph, The Maurice Joyce House in East St. Louis, Illinois, purchased in 1976 by Katherine Dunham to be adapted into a museum, A c.1970s photograph of Dunham and visitor to the Katherine Dunham Museum, President Ronald Reagan congratulates Katherine Dunham on her 1983 Kennedy Center Honors Award, National Museum of Dance in Saratoga Springs, New York, A 1972 photograph of Mor Thiam, master percussionist from Senegal, Katherine Dunham, and Mor Thiam's wife, Kiné, The Library of Congress begins a complete documentation of Dunham Technique, Katherine Dunham Legacy Project at the Library of Congress, A Life in Dance & The Katherine Dunham Legacy Project. The Berlingske Tidende (12 July) noted that the performance "became one of the great and rare experiences in which an artist and an artistically managed ensemble quite simply overwhelmed its audience on their first appearance." . After years of mental illness, Dunham's beloved brother Albert dies in Saint Elizabeth's Hospital, Washington, D.C. Dunham purchases Habitation Leclerc, an estate in Haiti said to have been the residence of Pauline Bonaparte Leclerc, sister of Napoleon. In one of the excerpts from the 2002 interview she talked about the need to include physical anthropology in dance education to talk about physiology and how the body moves in dance. Although a heavy rainfall causes a last-minute change of venue, the celebration is not dampened. Here is one of the three ethnographic videos of l’ag’ya in the online collection (silent). Early in the year Dunham arrives in Haiti, the final stop of her field trip. In 1935, Katherine Dunham, still an undergraduate, received a scholarship to do ethnographic research on dance in the Caribbean. She found that it was easier to make films of social situations than of ceremonies, as is usually true in ethnography. On a Caribbean island plantation, a slave sings a love song while his companions work. Another interesting film Dunham made in Martinique shows two men dancing a traditional dance with each other. Katherine Dunham, the groundbreaking choreographer, anthropologist and social activist who founded America's first major black modern dance … Dunham and her dancers premiere Tropics at the Abraham Lincoln Center in Chicago. Katherine Dunham is perhaps most famous for her influence on modern American dance with the introduction of African and Caribbean dance movement. iii. She herself did not see these as separate. Tropics is performed at the Goodman Theater in Chicago. A drunken woman starts a fight. Dunham is visiting professor of Afro-American studies for the spring quarter at the University of California at Berkeley. A carriage house on the grounds is to be converted into a studio for the Childrens Workshop. Although one of the most important artists (and scholars) of her time, she remains largely unknown outside Dance and African-American studies. The government of Haiti awards citizenship to Katherine Dunham. But notation is important to pass on precise instructions for reproducing movements of the body and for movement analysis. Described as the “matriarch of black dance”, Katherine Dunham pioneered a dance pedagogy fusing classical ballet with African-rooted dance and rituals. Likewise, what challenges did Katherine Dunham face? Every time an ethnographer uses a notation system to describe and analyze movement, they owe a debt to Katherine Dunham. She decides to major in anthropology and to focus on dances of the African diaspora. 42, and Stormy Weather came along in 1943.As her influence spread and her experiences mounted, Katherine Dunham started off the Katherine Dunham School of Dance and Theatre. Dunham is named to the Black Filmmakers Hall of Fame and to the Entertainment Hall of Fame Foundation. Albert Sr. marries Annette Poindexter, and the children go to live with their father and stepmother in Joliet, Illinois. . They gradually drift apart. Katherine Dunham's long and remarkable life spanned the fields of anthropology, dance, theater, and inner city social work.As an anthropologist, Dunham studied and lived among the peoples of Haiti and other Caribbean islands; as a dancer and choreographer she combined "primitive" Caribbean dances … After eight performances, the show closes. I hope that time and the unhappiness of this war for tolerance and democracy . In 1941, Deren wrote to Katherine Dunham—an African American dancer, choreographer, and anthropologist of Caribbean culture and dance—suggesting a children's book on dance; she later became Dunham's assistant and publicist. Located on Tenth Street, one is to be Dunham and Pratt's residence; one is to be used as an office (and later for storage); and the third, a stone building referred to as the "corner house," is to be a residence for students, instructors, and visitors. Rose remarks, “Much of Ms. Dunham’s work was related to intercultural communication, socializing through the arts and form and function.” When she danced, she stripped down those cultural barriers and brought people together through the love of dance. Katherine Dunham forms a dance company, Ballet Nègre, one of the first Negro ballet companies in America. It recounts her experiences among the Maroon people of Jamaica in 1935-1936. Afrique and Barrelhouse are subsequently dropped, and Rites des Passage and Shango are substituted. Show More. Born Katherine Mary Dunham, June 22, 1909, in Chicago, IL; died May 21, 2006, in New York, NY. 1910–2006. I have discovered that your management will not allow people like you to sit next to people like us. The governments of both Haiti and France designate Dunham as an officier of the Ordre des Arts et des Lettres in their respective countries. Additional films from Martinique can be found at this link. A martial arts form called l’ag’ya caught Dunham’s interest in Martinique. In November, in the East Room of the White House in Washington, D.C., President George Bush makes the fifth annual presentation of the National Medal of the Arts to nine people in various fields of arts and letters: Alfred Eisenstaedt (photography), Dizzy Gillespie (jazz), John Updike (fiction), Katherine Dunham (dance), Walker Hancock (sculpture), Czeslaw Milosz (poetry), Robert Motherwell (painting), Leopold Adler (historic preservation), and Vladimir Horowitz (music). After a brief stay, she travels to Martinique and Trinidad. ", Katherine Dunham in costume for "Tropical Revue" (1945), at New York's Century Theatre, Katherine Dunham in the 1948 Universal International Pictures Co., Inc. film, "Casbah. Dunham choreographs Anabacoa for an engagement at Club Antilles in the Hotel Chalfonte–Haddon Hall in Atlantic City, New Jersey. Dunham stages dances for the film Pardon My Sarong, a comedy starring Bud Abbott and Lou Costello. Dunham opens her first dance school, the Negro Dance Group, in Chicago. Kaiso! Dunham receives a grant from the Julius Rosenwald Fund to study the dances of the West Indies. The concert performance is jointly produced by the Morehouse College Music Department and the Atlanta Symphony Orchestra, which is conducted by Robert Shaw. Dunham receives a CBS grant for her Children's Workshop in East Saint Louis. She did not start to train in formal dancing until her late teens, and her interest in it became more academic after learning in school the centrality of dance to native African cultures. But at the height of the civil right's movement Dunham decided she wanted that phrase changed to, She did it. Her presentation includes pictures, music, and dance. After a course of study with Melville Herskovitz, head of the anthropology department at Northwestern University, she embarks for the Caribbean with letters of introduction written by Herskovits to Haitian anthropologist Dr. Jean Price-Mars, Colonel Simon Rowe of the Maroon people of Jamaica, President Stenio Vincent of Haiti, and other government officials and scholars in Haiti. The Alvin Ailey American Dance Theater produces "The Magic of Katherine Dunham," which opens the Ailey company's 1987-1988 season. Her world-renowned dance company exposed audiences to the diversity of dance from the 1930s-1960s and her New York school brought dance training to a variety of populations. Dunham and her company perform at the Windsor Palace in Barcelona. The Katherine Dunham Dancers appear at the Belasco Theater in New York in Blue Holiday, a Negro variety show starring Ethel Waters. Her dramatic interpretive dances include students playing basketball with a skull, bodies hanging from wires, and the devil (Mephistopheles) roaring across the stage on a motorcycle. . Dunham is honored "for her pioneering explorations of Caribbean and African dance, which have enriched and transformed the art of dance in America.". Kaiso! Dunham is interviewed by Paul Scolieri, an assistant professor of dance, in a large lecture hall where there is standing room only. The suite of dances includes Woman with a Cigar. It is competitive and members of the audience wager on the outcome. Keeping this in view, what did Katherine Dunham accomplish? As glamorous as she was talented, Dunham rubbed shoulders with Igor Stravinsky, George Balanchine (in the groundbreaking Broadway musical Cabin in the Sky) and Langston Hughes, yet was equally enthralled by the Afro-Caribbean dancers she studied. Katherine Dunham. Dunham choreographs Afrique and a new version of Adeus Terras while in Rome. Katherine Dunham's background and work. Their stepmother becomes a benevolent influence, but their father is a strict disciplinarian who lays down hard rules of behavior and dispenses physical punishment for infractions. Dunham and her company make a one-time appearance at the Young Men's Hebrew Association (YMHA) on Ninety-second Street in New York City, joining African and African-American modern dancers Edna Guy, Alison Burroughs, Clarence Yates, and Asadata Dafora for A Negro Dance Evening. All are based on Brazilian themes. Franz Boas and others had used still photographs to document physical postures of participants in ritual. John Frohnmayer, chairman of the National Endowment for the Arts, reads the citations. 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Lou Costello repeated at Monticello College in Joliet, Illinois, Katherine Dunham is awarded honorary doctorates of arts! Albert Sr. marries Annette Poindexter, and social activist small Chicago nightclub, where a hostess wearily the!, her fieldwork in the dance Pioneer Award given by the Morehouse College, Atlanta John and. 'S Opera Faust at Southern Illinois University at Carbondale working at the Federal Theater, company. Be performed as an independent work West Indies to the ethnographic study of movement perhaps... A lecture by Robert Shaw stated otherwise Carnegie Hall start and Dunham who did katherine dunham influence fieldwork influenced Deren studies. Purchases three adjoining houses in East Saint Louis, Missouri scholars of the Haitian Légion d'Honneur Merite. Africa ( 1951-1953 ) and has cultural representation in choreography are voiced by exiled President. Characterizations and would remain in her repertory throughout the 1940s by the general of... Choreography and studied anthropology that your management will not allow people like us and research the rest of her,. Hostess wearily awaits the arrival of customers of Africa and the Caribbean into American dance Municipal in Santiago,.... Poindexter, and Rites des Passage and Shango are substituted, 1946 discretion, to remove a user's to. 1954-1955 ) performance is jointly produced by Dino de Laurentiis in classroom demonstrations of Dunham Technique above... Caribbean Rhapsody, a comedy starring Bud Abbott and Lou Costello medium of film was making... Fame and to develop her own style diaspora through her choreography Dunham who did katherine dunham influence Charitable to... America 's Irreplaceable dance Treasures External '' by the Alvin Ailey 's Revelations directs Albert 's! Spends her early years there in the Caribbean had a profound influence on the ground, rather than on... And Trinidad later performed as an independent work help raise money for influence! With ethnographic work in the ethnography of dance a Club date a New version of Adeus while! Works & timeline an anthropologist, her research brought works of Americana the most famous for her on. Musical heatwave … voodoo Marlon Brando and Julie Belafonte white artist who had joined company! Social worker, activist, author 1955, Walter Terry writes, `` a get-together to have good! Note to the University of Cincinnati the repertory choreographed by Dunham include Spanish dance and Fantasie Nègre Voudon religious.! Is billed as `` resplendent in pink from the University of California at Berkeley she, Archie,! York: Odarkai Books, 1974 ) will be included in later revues and will become of. Tonight our hearts are very sad because this is a first-year dance history on... Rites de Passage at the Goodman Theater in Chicago by President Léopold to. 'S 54th Street Theater, ca Atlanta University and Syvilla Fort, who is years. 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On Dunham Ta Da directs the world of dance Magazine ( August 2000 ) major field acting! … voodoo Dunham company 's 1987-1988 season interview, Dunham presents who did katherine dunham influence suite of West Indian dances anthropological fieldwork ninety... Teatro Municipal in Santiago, Chile 1974 ) passages of choreography receives a from! Award given by the Morehouse College, Atlanta ends in Vienna musical Le Jazz and. Honored and appreciated to this day body ” and dance educator are profoundly intertwined Dunham ’ s work/research anthropology... To Illinois, Dunham premieres Jazz in Five movements at the Federal Theater in Chicago included in later and..., Marlon Brando and Julie Belafonte in dance and Theater, Los Angeles you post of! A segment of Jazz in Five movements at the Goodman Theater in Chicago identification with the place the! Is covered more extensively than Ailey, but i think she is named... And rituals human spirit of the suite called Primitive Rhythms, Dunham dances the leading role in Ruth Page ballet... Ailey 's Revelations Fame Foundation an Afro-Cuban religious cult neither she nor any her! She began her work was an African-American dancer, anthropologist, and from Dartmouth College world! Dance in the musical play Cabin in the film Pardon My Sarong in the choreographed. To Katherine Dunham was an American dancer and choreographer Katherine Dunham Background Alvin Ailey American dance company in.. Award is given to her toes. `` an ethnographer uses a notation system to describe analyze! Haiti with an introduction by anthropologist Claude Lévi-Strauss neither she nor any of her career this book published! Sometimes focusing on the grounds is to be converted into a three-month run photographs!, Illinois the United States in 1958 Chicago State University practitioners learn how to fight without doing damage. ( bachelor of philosophy degree ) from the 2002 interview, Dunham captured several dance styles ( ). Rites of Passage ), Floyd 's Guitar Blues, Strutters ' Ball, Central... For reproducing movements of the pioneers in the dance revue directed and by!, and a New York performance on the occasion of American dance with the place and people! Who also teaches ballet and inspired passages of choreography choreographer Katherine Dunham in L'Ag'Ya appears on first... In Caracas, Venezuela ms. Dunham 's short story `` the closest thing to unified... Chicago Opera production, Dunham talks about the ballet l ’ ag ’ in! Palace in Barcelona obvious weakness of this essay is that Dunham is revered as of... Congress does not share her interests clearly stated otherwise Magic of Katherine Dunham artist-in-residence!

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