In preparation for his performance, Horton traveled to Santa Fe, New Mexico, to learn dances and chants from Native American performers. Given his interest in blending cultural references, he often worked on films with stories set in exotic locales, such as Moonlight in Havana (1942), White Savage (1943), Phantom of the Opera (1944), and Ali Baba and the Forty Thieves (1945). As his teaching career took off, Horton also focused on choreography. Le spectacle est un succès, bien qu’Horton n’ait pas pu accompagner la troupe au festival[7]. Lester Horton est un danseur, chorégraphe et pédagogue américain né à Indianapolis le 23 janvier 1906 et décédé à Los Angeles le 2 novembre 1953. With his innovative ideas of masculine movement, he was one of the most influential choreographers and dancers of his day. Moonlight in Havana 1942 (Universal-International), Rhythm of the Islands 1943 (Universal-International), White Savage 1943 (Universal-International), Phantom of the Opera 1943 (Universal-International), Salome Where She Danced 1945 (Universal-International), That Night With You 1945 (Universal-International), Frisco Sal 1945 (Universal-International), Shady Lady 1945 (Universal-International), Siren of Atlantis 1948 (United Artists Release), https://fr.wikipedia.org/w/index.php?title=Lester_Horton&oldid=167459247, Article de Wikipédia avec notice d'autorité, Portail:Biographie/Articles liés/Culture et arts, licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence. Dance Perspectives 31 Autumn, 1967. Get the Latest News & Promotions from Alvin Ailey. 16, No. L’agent d’Horton lui a fait parvenir de l’argent pour permettre à la troupe de rentrer chez eux. Chapel Hill: University of North Carolina Press, 2002. The Lester Horton Dance Theater Collection is a collection of multi-format materials documenting the work of dancer-teacher-choreographer Lester Horton as well as the workings of a modern dance company in California. Facts about Lester Horton 10: as a choreographer for films. Dancer, dance instructor, and choreographer who all founded the Lester Horton Dancers as well as the Dance Movie theater of LA. He began to teach master classes at the University of Cincinnati College-Conservatory of Music in 1970 and three years later was named associate professor. One month later, the Warsaw Ghetto had … On opening night in 1948 the dancers performed Horton’s Totem Incantation, based on a Native American coming-of-age rite; a revised version of his earlier interpretation of Oscar Wilde’s one-act play Salomé; and The Beloved (all 1948), based on a newspaper article about a man who suspected his wife of infidelity and beat her to death with a Bible. La troupe de Horton n’a fait qu’une seule apparition à New York, au cours de la dernière année de sa vie. La compagnie a perdu 100 dollars pour cet événement. He subsequently began monitoring ballet. As a child he was interested in Native American culture, which is also what sparked his interest in dance. Alvin Ailey: A Life In Dance, Jennifer Dunning,(1996): 55. Lester Horton, (born January 23, 1906, Indianapolis, Indiana, U.S.—died November 2, 1953, Los Angeles, California), dancer and choreographer credited with launching the modern dance movement in Los Angeles and for establishing the country’s first racially integrated dance company. His distinct brand of choreography relied heavily on arm and upper-torso movement. His mother was a seventeen-year-old teenager Lula Elizabeth Ailey. He suffered from AIDS and died on December 1, 1989, at the age of 58. L’héritage d’Horton a survécu à travers la fondation Lester Horton Dance Theater, Inc.www.lhdt.org, qui est vouée à la préservation et la promotion des contributions de Lester Horton en tant que danseur, chorégraphe et pédagogue. ID. (October 1937)[2]. La troupe a été programmée par l’association des "jeunes filles et jeunes hommes hébreux" (Young Men's and young Women's Hebrew Association) de la 82e rue. Après tous ces méandres, Horton forme « The Dance Theater of Los Angeles » avec sa danseuse principale, Bella Lewitzky, leur partenariat prendra fin en 1950 quand Lewitzky le quitte pour une carrière solitaire. Horton’s dance company finally had its New York City debut in March 1953. Unsure of what opportunities would be available for him as a dancer, however, he left Horton's school after one month. That performance was met with rave reviews, and it prompted invitations for more performances around the country. The Horton Technique, Bourgeon Journal of Dance, Volume 2 #3, pp. A major highlight in Horton’s career was his choreography of Igor Stravinsky’s The Rite of Spring (Le Sacre du printemps), performed in the Hollywood Bowl amphitheatre in 1937, with Lewitzky in the lead role as the Chosen One. Alvin Ailey - Paper. Prevots, Naima. Horton rebuilt the company and, in so doing, launched the careers of new members Carmen de Lavallade and James Truitte. Ted Shawn was one of the first notable male pioneers of American modern dance. For the production, Horton proceeded in a manner he came to employ throughout his career, becoming involved not only in the choreography but also in the staging and the costumes. After Lester Horton's death in 1953, Ailey took over the dance company as the new artistic director. Horton decided to take part as a choreographer for some films to finance his dance companies and school. Alvin Ailey grew up in a time of racial segregation and conflict. Depuis la mort d’Horton, sa technique de danse et son œuvre chorégraphique sont devenues largement connues et pratiquées. BACKGROUND: EARLIER LIFE AND CAREER OF LESTER HORTON . Dance Perspectives 31 (Autumn 1967) entièrement dédié à Lester Horton. Along with creating the Denishawn School with former wife Ruth St. Denis he was also responsible for the creation of the well-known all-male company Ted Shawn and His Men Dancers. Lester Horton est un danseur, chorégraphe et pédagogue américain né à Indianapolis le 23 janvier 1906 et décédé à Los Angeles le 2 novembre 1953. Updates? Afin de financer son école et ses différentes compagnies de danse, Horton chorégraphie très tôt pour un certain nombre de comédies musicales hollywoodiennes, en commençant par « Moonlight in Havana » (1942), la plupart des films de María Montez comme La Sauvagesse blanche(White Savage)(1943), ainsi que des séries B comédies musicales, la plus notable étant Le Fantôme de l'Opéra (film, 1943) (Phantom of the Opera) d’Arthur Lubin. Foulkes, Julia L., Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey. Il étudie la danse classique pendant deux ans avec Mme Theo Hewes à Indianapolis. Plus tard Horton a tenté de développer une compagnie sur la côte Est pour la danseuse Sonia Shaw, mais le mari de Shaw a rapidement cessé de financer la compagnie qui s’est effondrée avant même de donner des représentations publiques[3]. After the production traveled to Los Angeles, Horton chose to remain there and to continue studying dance. Oliver Hines was a great tap dancer and started to tap dance when he was young. In the 1920s, ’30s and ’40s, dancer/choreographer Lester Horton developed a dance technique based on Native American dances, anatomical studies and other movement influences. While some light has been shed on Horton's accomplishments--notably by a 1967 issue of Dance Perspectives and … American dancer and choreographer Lester Horton (1906-1953) made Los Angeles an epicenter for dance at a time when most of America was focused on New York. Premium Lester Horton, Concert dance, Doris Humphrey 1227 Words | 5 Pages. « The Horton Dance Group » juste noté le plus souvent comme « the Lester Horton Dancers » a duré jusqu’au début de l’année 1944. Lester Horton … His dances hailed as a "timeless tribute to humanity, faith, and survival." La technique qu’il a ainsi créée, qui est maintenant connue sous le nom de « technique Horton », n’a pas de style en soi. Do you have any comment on facts about Lester Horton? "Lester Horton". He choreographed several Hollywood films, including the the 1943 production of Phantom of the Opera and the 1945 production of Salome Where She Danced. [1] Horton has various famous works in which he has created throughout his time, and one of his most famous pieces, The Beloved, will be discussed throughout this paper. La dernière modification de cette page a été faite le 15 février 2020 à 19:46. In Los Angeles Studied with the most influential person in life: Michio Ito practiced with Russian American ballet dancers Adolph Bolm and Serge Oukrainsky Early Dance Career Horton as a teacher Learned to intergrate props into his Horton also studied ballet for … Continue Reading Below. Alvin Ailey: A Life In Dance, Jennifer Dunning,(1996): 65. Alvin Ailey: A Life In Dance, Jennifer Dunning,(1996): 54. Il stimule son intérêt pour la danse par sa fascination pour les Indiens d’Amérique, après avoir découvert les danses tribales dans un « Wild West Show ». She covered topics related to art history, architecture, theatre, dance, literature, and music. Horton also included Afro-Caribbean elements, like … « J’ai sincèrement essayé de créer une technique de danse basée entièrement sur des exercices correctifs, créer à partir de la connaissance de l’anatomie humaine, une technique qui permettra de corriger les défauts physiques et de préparer un danseur pour tout type de danse, qu’il souhaitera peut-être appréhender, une technique ayant tous les mouvements de base qui régissent les actions du corps, combinée avec une connaissance de l’origine du mouvement et un sens de la conception artistique » - Lester Horton dans une lettre à Pierre Dorathi Bock, « From Primitive to Modern, » - American Dancer ( Octobre 1937) . Facts about Lester Horton 9: the most notable works of Horton. Dancing in the Sun: Hollywood Choreographers 1915-1937. Lester Horton Dance Theater was one of the first permanent theaters dedicated in 1946 to modern dance in the U.S., in Los Angeles, California. New York: Dance Horizons, 1977. He was romantically involved with the political activist, David McReynolds, for some time during the 1950s. He lived in poverty and assisted his mother with upkeep by picking cotton. By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica. This was the first time the Stravinsky score had been choreographed by an American, and many in the audience were shocked by the barefooted dancers contorting themselves into angular and rigid movements. Lester Horton NOTORIETY TECHNIQUE The Influence of Lester Horton in Dance History EARLY YEARS Horton choreography was most known for using flat backs and lateral stretches, tilt lines,and lunge all the movements that can be found in a Jazz warm up.His initial in movement was With Lewitzky, her husband (Newell Reynolds), and dancer William Bowne, Horton opened the Dance Theater in Los Angeles, a performance space and dance academy. He was greatly influenced by the Japanese performer Michio Ito and Native American cultures. Lewitzky became the lead dancer in Horton’s company and his close creative collaborator over the next 15 years. Warren, Larry. Un article de Wikipédia, l'encyclopédie libre. Alvin Ailey was at the peak of his creative power when he died, on Dec. 1, at the age of 58. Horton based his technique from Native American style dances and anatomical studies. Education: Los Angeles City College and Los Angeles Art Center School, studied painting; studied ballet with Adolph Bolm, Carmelita Maracci, Mia Slavenska, and Madam Toscanini; San Francisco School of Ballet, attended, 1954; studied Hebrew music with composer Ernest Bloch; studied modern dance under Lester Horton; studied Spanish dance with Angel Casino; studied choreography under … Le fondateur de Mattachine Society, Harry Hay a une fille qui a pris des cours au Dance Theater. Lester Horton Jayla Poindexter, Sophia Ho, and Kobe Rodriguez Dance Background Technique and Famous Works Contributions and Accomplishments Birth and Childhood Dinerman, Diana. You May Like. Alvin Ailey Alvin Ailey is a multicultural modern dancer known for his great accomplishments in dance and choreography. His teaching style was inventive and dynamic, often requiring his students to improvise and move in unusual, exaggerated, and distinctly unballetic ways. Alvin Ailey American Dance Theater Repertory. 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