Classic Trailers. And this film does so, not at all as a didactic and hence desiccated artifact, but as a still-absorbing story that reaches out to mind, heart, and will in a manner that is irreplaceable. Ride The High Country (Guns In The Afternoon): The high country: the High Sierras, Bishop, central California. He recognized moral ambiguity—right and wrong are often not easy to discern in a world of competing principles—but he accepted a moral view of the created order and of his role in it. I’ll take care of it, just like you would’ve,” Gil tells Steve, signaling the reclamation of his integrity. Gil wants to entice Steve to join him in this theft—it’s only stealing from a bank, after all, and they’re entitled to the gold after all those years of loyal service, taking bullets for next to nothing. Almost similar to William Holden’s thrilling line “Let’s go” right before the Wild Bunch march to their death in one last blaze of glory. The final shoot out is dramatic and has a great ending. A tough sheriff who’d set him straight years before when Steve was just starting out had an advantage over the younger man which went beyond physical strength: “See, he was right, and I was wrong,” Steve informs Gil, and “that makes the difference.” “Who says so?” Gil asks. Then, in his last moments, alone, Steve turns his head to face the mountains, and there is no question that, though a sinner, he will enter his house justified. Ride the High Country. The movie cries out for a discussion about our culture in 1962. That’s something you just know.” Morality has an objective grounding apart from individual preferences. I always did. 2:45. In all these respects, he resembles General George C. Marshall, whose virtues are discussed in “A Case Study in Principled Leadership: General George C. Marshall’s Core Beliefs”, which you can read by clicking here. Stone, but almost entirely rewritten by William Roberts, with substantial subsequent rewrites by Peckinpah himself. If you want to know what made the statesman and military leader George Catlett Marshall (1880–1959) great, then watch Ride the High Country (Metro-Goldwyn-Mayer), and you will receive a taste of that knowledge. Ride the High Country 1962 ★★★★ Watched Jun 02, 2014. Add more and vote on your favourites! The supporting cast includes Edgar Buchanan, James Drury, Warren Oates, and Ron Starr. Ride the High Country Main article: Ride the High Country His second film, Ride the High Country (1962), was based on the screenplay Guns in the Afternoon written by N.B. Steve replies: “Nobody. MGM had no faith in Ride the High Country and dumped it on the market as the lower half of double features. Block or Report. Especially in relation to the moral life, we are acutely aware that not only the mind but also the volitional and emotional aspects of the self must be engaged. ), David Hein is Senior Fellow at the George C. Marshall Foundation and the author of, Noble Powell and the Episcopal Establishment in the Twentieth Century, “The Karate Kid” & the Merits of Authority-Based Discipleship, The Revealed & the Hidden: Reconceiving Western Civilization, Ideological Neo-Colonialism In The 21st Century, Virgil’s “Aeneid” & the Value of Suffering, In Honor of Mr. Thomas Jefferson’s Birthday, 10 Books Every Imaginative Conservative Should Read. Having seen it only once, I can’t declare absolutely that they both seem uncomfortable in their roles, but that may be a reason. From the majestic wildness of the "high country" we cut, as the credits end, to the bustling vulgarity of a California township where the shabby old lawman, Steve Judd (McCrea), is nearly run down by an automobile (anticipating the fate of another Peckinpah hero, Cable Hogue). Riding the High Country. On the trail through the mountains, Steve makes it clear that he’s still dedicated to living by this sense of right and wrong, come what may. zachareeares. Thank you for this article and reference. A cinematic portrayal of a historical personage—such as Patton (1970) or Lincoln (2012)—can stir us as written biographies often do not. Stone, Jr. Producer Richard Lyons admired Peckinpah's work on The Westerner and offered him the directing job. Feel the exhilaration of cantering through High Country clearings and enjoy the magical swirl of snow gums at sunset. Cast : Liam Neeson, Pierce Brosnan, Michael Wincott Release : September 13, 2006 Director : David Von Ancken Genre : Western, Drama Stream Now. The film was shot in Inyo National Forest, Malibu Creek State Park, Merrimac & Bronson Canyon, Griffith Park, California. This doesn’t come as a surprise, and neither is it exactly an epiphany for me that I’m one of the few girls among all these boys. 74 0 obj <> endobj Excellent films can be prolegomena or adjuncts to nonfiction studies of character. Ride the High Country (1962) Full Cast & Crew. Playing next. Mail Order Bride, directed by Burt Kennedy, features a gun … Among this movie’s widely appreciated episodes, the ending is the most famous: one of the most powerfully evocative death scenes in all of cinema history. He's accompanied by his longtime friend Gil Westrum and by Heck Longtree, Gil's young partner. For students of leadership for a just society, Ride the High Country crystallizes beliefs and codes of behavior worth studying, affirming, and claiming today. A profitable path to doing so may be somewhat oblique: in this case, a movie that evinces no knowledge of him whatsoever. 7 of 7 found this interesting. All comments are moderated and must be civil, concise, and constructive to the conversation. Ride the High Country 1962 ★★★★ Watched Mar 10, 2021. Troubled Production : This was relatively calm and uneventful for a Sam Peckinpah shoot, but his initial plan to shoot the entire film on location in the Sierra Nevada Mountains (where the story was set) got scuttled by an October snowstorm that delayed filming. 2:41. If you want to grasp why the loss of leaders of Marshall’s caliber is a tragedy, then see this movie, an elegiac remembrance of virtues past, but also a film not without hope for things to come. Not only early-nineteenth-century conservative Christians might eschew such useless diversions as novel-reading. Browse more videos. Lewis and J.R.R. Your donation to the Institute in support of The Imaginative Conservative is tax deductible to the extent allowed by law. No greater leader in WWII The world should be eternally gratetful. Shot in CinemaScope by the first-class cameraman Lucien Ballard in settings—principally, the Inyo National Forest, near Bishop, California—that included the Sierra Nevada Mountains, this film’s beauty is both natural and moral. Reconciled at the end to Steve, Gil tells his old partner, in the film’s final line: “I’ll see you later.” Spoken in this scene, these words, which otherwise might be heard as a trite phrase of farewell or of casual consolation, instead convey a real hope. Final thought....this one is worth checking out. Steve replies: “Hell, I know that. Without hesitating, Steve responds to Gil by expressing his abiding confidence in his friend’s underlying worth; that trust summons and affirms the best in Gil. The essay was originally published in The Statesman (March 2014) and is republished with gracious permission from the author. He hires an old partner, Gil Westrum, and his young protege Heck to assist him. You’ve only seen it once, eh? Ex-lawman Steve Judd (played by Joel McCrea) has fallen on hard times. In real life, Ride the High Country marked all kinds of disappointing closures. “Don’t worry about anything [that is, not only what will happen to the gold, but also, by extension, what will happen to Gil]. Approaching his theme indirectly, Gil asks Steve: “You know what’s on the back of a poor man when he dies? Many others, even today, might consider the movie-going route an unnecessary, if entertaining, detour when a more direct path to needful facts and insights is available. �o���&Hh� %��� � |"h They can function as trailers to incite interest, provoke questions, and create memories, which viewers might then employ as touchstones for future cognition. This doesn’t come as a surprise, and neither is it exactly an epiphany for me that I’m one of the few girls among all these boys. For students of leadership for a just society, Ride the High Country crystallizes beliefs and codes of behavior worth studying, affirming, and claiming today…. Steve doesn't know, however, that Gil and Heck plan to steal the gold, with or without Steve's help. This 1962 picture, which marks the end of the era of the classic Western, stars Joel McCrea and Randolph Scott in their last major screen appearances (wanting to go out on a high note, Scott retired for good after this movie). Block this member This member is blocked; Report this review; Shane liked these reviews. Using everything that came before and predicting everything that came after, Ride the High Country can now be seen as the lynchpin in the history of the entire Western genre. Instead, they’re whooping it up for a (dishonest) race between a camel and a horse. Ride the High Country, American western film, released in 1962, that was a revisionist take on the genre. McCrea and Scott are not actors for such a preachy story. A great movie. As C.S. The problem with some historical figures, however, is that they do not play well even on the cinema screen. Dear sir, you are wrong, very wrong about this movie. Whether these sorts of heroes are only for the past is a decision that each student of leadership has to consider. The film's script, though credited solely to veteran TV screenwriter N. B. Will you help us remain a refreshing oasis in the increasingly contentious arena of modern discourse? Notwithstanding Ride the High Country’s merits, students of statecraft might demand to put the following question: In order to discover what we need to know, why not focus on philosophy and theology, history and biography, leadership and moral excellence directly—and exclusively? A thoughtful essay of moral values in a western film. Directed by Sam Peckinpah.Initially written by – and solely credited to – N.B. They kill the three remaining Hammond brothers—the film’s true villains—and Steve is mortally wounded. The biggest mistakes you never noticed in Ride the High Country (1962). The Imaginative Conservative is sponsored by The Free Enterprise Institute (a U.S. 501(c)3 tax exempt organization). The Hi-Lo Country is a 1998 American Western drama film directed by Stephen Frears, starring Billy Crudup, Penélope Cruz, Woody Harrelson, Cole Hauser, Sam Elliott, Patricia Arquette, Enrique Castillo, and … Please consider donating now. And we know that truth is accessed through the imaginative—not merely the rational—faculty. Gil, who had served as Steve’s deputy in the cause of frontier justice, has decided that society owes him some recompense. The film introduces a young and manifestly talented Mariette Hartley, and it features an outstanding supporting cast that includes Edgar Buchanan, James Drury, Warren Oates, and L.Q. In Marshall’s case, as specialists in military and diplomatic history are aware, his speeches and writings fail to enthrall. With 'Ride the High Country', Sam Peckinpah made his first bona fide masterpiece. 81 likes. Both Ride the High Country (1962) and Mail Order Bride (1964) were composed and conducted by maverick George Bassman; both were classic Westerns in the John Ford tradition, with Ride the High Country being the first wide release feature of Sam Peckinpah. But in the film, when Steve dies, the viewer is deeply satisfied that this lawman’s principal concern is realized. However, it is unlikely he would have agreed to work with Wayne, as he had previously turned down the opportunity to do so in The Far Horizons (1955). As a stand-alone film, it's lovingly crafted, graced with excellent performances, and deeply nostalgic without ever sacrificing the realities of the moral conundrums and physical dangers facing its world-weary protagonists. 0:50 [DOWNLOAD] Ride the High Country Full HD 1080 Quality. Report. But Gil cannot convince his old partner to break his code of honor. It’s the early twentieth century, a horseless carriage chugs slowly through the center of town, and a uniformed constable (not a sheriff with a six-gun) yells at Steve, who, after some years of barely scraping by, looks a little the worse for wear in his shabby apparel: “Get out of the way, old man; can’t you hear? Why turn to fiction, especially to movies, which are produced by profit-minded studios and designed to appeal to mass audiences? Tolkien demonstrated, we appropriate truth through concrete images, not just through empirical discoveries and logical deductions. What Sam Peckinpah’s 1962 movie offers today’s viewer is an unforgettable invitation to ride the high country. I couldn't help but notice that most of the reviews for Ride the High Country were sent in by men, as it maybe often is the case with Westerns, but it seems especially pronounced when it comes to Peckinpah's work. Ride the High Country trailer. The clothes of pride. Watch Ride The High Country movie trailers, exclusive videos, interviews from the cast, movie clips and more at TVGuide.com. Ride the High Country (1962) Trailer. And yet we know that his highly distinctive life and character need to be remembered. 121 0 obj <>stream For some critics and viewers, including this writer, Ride the High Country—the picture that launched Sam Peckinpah’s reputation as an important filmmaker—is even better than his intensely violent, revisionist Western The Wild Bunch (1969). Ride the High Country Movie (1962) Randolph Scott, Joel McCrea, Mariette Hartley. We need to know about the leadership of a George Washington, too—but no movie could do justice to his vitality and complexity. Reduced to performing in a carnival as a cheap counterfeit of a western hero (playing a sharpshooter called the Oregon Kid), Gil is unwilling to die a poor man; he plans to steal the gold shipment that he, Steve, and a young man named Heck Longtree (Ron Starr) have been hired to protect on its journey from the Coarse Gold mining camp in the high Sierras to the town bank in Hornitos, California. And again. You’ll discover high mountain trails, icy mountain streams and the sense of peace that comes from bonding with your horse and the land. Aging ex-marshal Steve Judd is hired by a bank to transport a gold shipment through dangerous territory. That somber assessment is made possible by this film’s opening scenes, in which Steve rides into town and mistakenly supposes that the cheering throngs are saluting his past glory as a highly regarded peace officer. Steve Judd is an aging ex-marshall who's just accepted the job to transport gold from a remote mining camp to the nearest bank. And they are not a bit warmer to him dead than they were when he was alive. %%EOF It’s not easy to explain why this movie is disappointing. Jones. Stone Jr., was – according to producer Richard E. Lyons – almost entirely the work of Stone's friend and colleague, William S. Roberts 0 Interesting? Keep in mind that essays represent the opinions of the authors and do not necessarily reflect the views of The Imaginative Conservative or its editor or publisher. Before he dies, his courageous example and the bond between the two men are enough to prompt Gil’s turning back toward the right path. Shane Barlow’s review published on Letterboxd: What an incredible ending. To today’s audiences, familiar with either overly sentimental or casually dismissive renderings of Christian themes in films (and, interestingly, Ride the High Country includes a violent, misshapen Christian, Elsa’s father, Joshua Knudsen), the straightforward treatment in this Western might well prove a relief. Because the best movies have a multisensory power to bring so much together on the big screen—character development within a carefully paced narrative arc punctuated by sound and silence (spare, intelligent dialogue in Ride the High Country; a plaintive main theme by composer George Bassman), illustrated by exactly rendered light and images—films have the capacity to engage our imaginations as no other medium can. Ride the High Country (released internationally as Guns in the Afternoon) is a 1962 American CinemaScope Western film directed by Sam Peckinpah and starring Randolph Scott, Joel McCrea, and Mariette Hartley. (Gifts may be made online or by check mailed to the Institute at 9600 Long Point Rd., Suite 300, Houston, TX, 77055. Following its release in Europe, Ride the High Country defeated Fellini’s 8½ for first prize at the Belgium Film Festival and won the Paris film critics award for best motion picture. 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