An endowment made by him in 1964 provided the basis for the Brcke Museum in West Berlin, which opened in 1967 as a repository of works by members of the group. He spent 1910 painting some of his most infamous landscape works that received recognition and fame. The Neue Galerie of New York has reached a restitution settlement for Nude, a 1914 painting by Karl Schmidt-Rottluff, with the heirs of a Jewish shoe In 1911, he moved to Berlin, where he was exposed to the most popular stylistic movements of the international avant-garde, including Cubism, Futurism, and African Tribal Art, all of which Karl Schmidt-Rottluff served in the army on the eastern front from 1915 till 1918 before returning to Berlin, where he spent the rest of his life except for the last several years. In the early part of his career, Schmidt-Rottluff regularly spent his summers in Dangast, a town north of Oldenburg, and a number of his works were inspired by this secluded coastal region. The subsequent years were difficult for him, as he was soon branded a degenerate artist and in spring 1941 was forbidden from painting, though he continued to produce watercolors in secret. Around 1909 he was instrumental in reviving the woodcut as a beloved and usable medium. Karl Schmidt was born in Rottluff, a small town in eastern Germany where his father owned a mill (he added the name of his birthplace to his own name in 1906). Together with his peers he founded Die Brcke, a collective workshop for painting, sculpting, and printmaking. Schmidt-Rottluff was born in Rottluff, nowadays a district of Chemnitz, on 1 December 1884. The honours bestowed on Schmidt-Rottluff after World War I, as Expressionism was officially recognised in Germany, were taken away from him after the rise to power of the Nazis. While he did not directly record the harrowing experiences of the war in his work, there was a marked increase in religious subject matter in the following years, which scholars such as Starr Figura view as the artist seeking solace. As a child, he attended the Humanistische Gymnasium, a secondary school that focused on the classics, including the arts. "Karl Schmidt-Rottluff Artist Overview and Analysis". The process of making a woodcut is violent. In 1997, 925,500 was paid for Schmidt-Rottluff's Dangaster Park (1910) at Sotheby's in London. Karl Schmidt was born in Rottluff, a small town in eastern Germany where his father owned a mill (he added the name of his birthplace to his own name in 1906). The most independent long-term member, from 1910 to 1911, kept a studio in Hamburg, home of several important supporters. He continued to experiment stylistically, moving from the angular forms and rough brushwork of his early work toward a somewhat smoother and more refined yet still powerful execution. Indeed, printmaking became an important component of the group's identity, both for its bold, graphic quality and for its use in promotion; they published seven annual print portfolios between 1906 and 1912 to gain financial support from patrons. Schmidt-Rottluffs works stood out from his peers because of their balance of composition and simple form, which together served to exaggerate their flatness. The artists usually spent summers together at rural retreats, in search of a direct connection with nature and an escape from urban society, but in 1906, Schmidt-Rottluff chose to visit fellow artist Emil Nolde on the Danish island of Alsen rather than join rest of the Brcke group at the Moritzburg lakes outside Dresden. They founded Die Brcke in Dresden on 7 June 1905, with the aim of creating a style that was uncompromising and which renounced all traditions. Printed text ext on verso reads "Karl Schmidt-Rottluff / Kopf. His painting of this period took on a darker palette, as in Woman with a Bag (1915). When the German expressionist artist Karl Schmidt-Rottluff made this woodcut in 1918, an axe had been laid to Europes roots. Upon his return to Berlin three years later, Schmidt-Rottluff's reputation began to flourish once again. It was a decimated forest. Thematically, preferred northern landscapes, many created during summers spent in Dangast from 1908 to 1912, a fishing village, and later in remote Baltic coastal towns Nidden and Hohwacht. In 1905 he enrolled to study architecture at Dresden Technical University. As a young man he joined the Social Democratic Party (SDP). [9] The top price ever paid at auction for a work by Schmidt-Rottluff was almost $6 million for Akte im Freien Drei badende Frauen (Outdoor Nudes Three Bathing Women) (1913) at Christies in London in 2008. Alterations of form, stylisation of form and formal biases, such as those to be found in African sculpture, are taken up by Schmidt-Rottluff and made to fit his own creativity' (Magdelena M. Moeller, (ed. Schmidt-Rottluff also convinced Nolde to join Die Brcke - if only for a year - and the two became ardent proponents of woodcut as a medium. Karl Schmidt-Rottluff (Karl Schmidt until 1905; 1 December 1884 10 August 1976) was a German expressionist painter and printmaker; he was one of the four founders of the artist group Die Brcke. Schmidt-Rottluff was born in Rottluff, nowadays a district of Chemnitz, on 1 December 1884. [7], This article is about the German painter. That year, the group had its first exhibition in Leipzig, where the artists displayed works that exemplified their desire to reject traditional bourgeois social values and academic art in favor of a new, more personal and direct approach; Schmidt-Rottluff noted that, "what we wanted was a refusal of the outmoded, overly-cultivated art practices." Feb 4, 2014 - German Expressionist Artist. The association Karl Schmidt-Rottluff Chemnitz e.V. Schmidt-Rottluff was born in Rottluff, nowadays a district of Chemnitz, and was called Karl Schmidt until 1906. Karl Schmidt-Rottluff (original name Karl Schmidt, December 1, 1884 August 10, 1976, Berlin) German Expressionist artist, one of the founders of the art Association "Bridge". Karl Schmidt-Rottluff, original name Karl Schmidt, (born December 1, 1884, Rottluff, near Chemnitz, Germanydied August 9, 1976, West Berlin [now Berlin]), German painter and printmaker who was noted for his Expressionist landscapes and nudes. Nevertheless, he continued to make woodcuts. ), Karl Schmidt-Rottluff (exhibition catalogue), Kunsthalle der Hypo-Kulturstiftung, Munich & Kunsthaus, Vienna, 1997, p. 30, translated from the German). There he met Erich Heckel, who was a year older. plans to include the castle into the Schmidt-Rottluff-Route. Karl Schmidt-Rottluff (Saxony, December 1, 1884 - Berlin, August 10, 1976) was a German expressionist painter and printmaker, one of the four founder-members of the artist group Die Brcke. The expressionists Kirchner and Schmidt-Rottluff both spent their youth in Chemnitz. In 1937, over 600 of his works were seized from public collections. Through this development he remained committed to landscape painting as a whole. He became an orphan early in life and went to live with a family in Knigsberg. [1] Whilst he was there, however, Erich Heckel introduced him to Ernst Ludwig Kirchner and Fritz Bleyl. See more ideas about expressionist artists, german expressionist, expressionist. (83.2 x 65.1 cm.) There he met Erich Heckel, who was a year older. Born in Rottluff, on December 1, 1884, he created the group of artists known as Die Brcke, together with Ernst Ludwig Kirchner, Fritz Bleyl and Erich Heckel in Dresden. His father was a miller. Although Die Brcke found considerable success in Dresden, Schmidt-Rottluff and the other members of the group decided to move to Berlin, Germany's largest city and cultural hub, in 1911. The rewards and honors Schmidt-Rottluff received after World War I, as Expressionism gained recognition in Germany, were stripped from him after the rise to power of the Nazi Party. [7] Schmidt Rottluff's esteemed Self Portrait with Monocle is now in the Staatliche Museum. Schmidt-Rottluff did not see himself as a painter and printmaker only. [3] He was a prolific artist, with 300 woodcuts, 105 lithographs, 70 etchings, and 78 commercial prints described in Rosa Schapire's Catalogue raisonn. 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